looking back of the theatre history, there are at least three big revolutions of the plays, they are: 1. the conflict of the human being and their fates; 2. the conflict between the people and society; 3. the conflict between the individual and its family. But of course the red classic pushed all of those problems, because in the new society people shouldn’t focus on themselves too much and they devote themselves to the community, that’s why they don’t doubt about the fate, and they also do not against of society, but the way they also do not so much pat attention to the problem in their family— when face to the community, all the problems they have all have gone.
the red classic is totally new pattern of the art writing.
In this production, there are too obvious conflict, one is the they old villagers do not want to move (this is a kind of out-of-fashion thought), and the truth is they need to be moved because of the environment, so at last they choose to move (certainly they have to); And one more is the the headmaster wanted his school students do not give up the studying but their parents really wanted their children go to work as early as they could (this also should blamed on the object but not anybody).
