秩序中的導演：羅貝爾·布列松Unmetteurenordre:RobertBresson
導演：RogerStéphane
主演：RobertBresson/LouisMalle/Jean-LucGodard/MargueriteDuras/FrançoisRiechenbach/AnneWiazemsky
語言：法語
類型：紀錄片/傳記
上映日期：1966
法國 63分钟
秩序中的導演：羅貝爾·布列松Unmetteurenordre:RobertBresson的劇情介紹
Description:'Unmetteurenordre:RobertBresson'isfroma1966Frenchtelevisionbroadcastof'PourlePlaisir',aculturaltelevisionprogram.Thephrase'Unmetteurenordre'translateslooselyto'AnImposerofOrder'.Whenyouwatchtheprogram,you'llseethatitstitlecomesfromthefilmmaker'sresponsetotheinterviewer'squestion:'What'sRobertBresson'sprofession?'
Thisepisodeconcentrateson'AuHasardBalthazar'andincludesinterviewswithRobertBresson,Jean-LucGodard,LouisMalle,andmembersofthefilm'scast.Bressonexplainstheoriginofthefilm'stitle,whilehiscontemporariesdescribetheirreactionstothefilm.Severalextensiveclipsfromthefilmarepresented,afterwhichBressonandhiscastmembersoffertheiropinionsofthemeaningorconsequencesofthosescenes.
TheheartoftheprogramisaninterviewwithBresson,duringwhichhetalksspecificallyaboutthisfilm.Healsogiveshisideasonfilmmakingingeneral.Forexample,here'showhewantshisperformerstolearntheirdialogue:'Iaskthemtolearntheirlinesignoringtheirmeaning,asiftheydidn'thaveameaning,asifthewordswerejustsyllables.Asifsentencesweren'tmadeofwordsbutofsyllables.'
Thisepisodeconcentrateson'AuHasardBalthazar'andincludesinterviewswithRobertBresson,Jean-LucGodard,LouisMalle,andmembersofthefilm'scast.Bressonexplainstheoriginofthefilm'stitle,whilehiscontemporariesdescribetheirreactionstothefilm.Severalextensiveclipsfromthefilmarepresented,afterwhichBressonandhiscastmembersoffertheiropinionsofthemeaningorconsequencesofthosescenes.
TheheartoftheprogramisaninterviewwithBresson,duringwhichhetalksspecificallyaboutthisfilm.Healsogiveshisideasonfilmmakingingeneral.Forexample,here'showhewantshisperformerstolearntheirdialogue:'Iaskthemtolearntheirlinesignoringtheirmeaning,asiftheydidn'thaveameaning,asifthewordswerejustsyllables.Asifsentencesweren'tmadeofwordsbutofsyllables.'
秩序中的導演：羅貝爾·布列松Unmetteurenordre:RobertBresson的影評
摘抄
看過的導演訪談不多，這部是我目前為止覺得最難啃的。布列松在裡面提出了很多對我來說有趣甚至獨特的觀點，我經常需要暫停重看以理解他的意思。這個長評是關于紀錄片中我覺得有意思的點的摘抄與思考。一、戈達爾：布列松既是（人性的）檢察官也是人文 ...
巴爾塔紮爾的遭遇裡的花絮
法國人讨論個事問的也認真答的也認真，直來直去不繞彎子不裝逼不八卦不買弄不對付，吹也會吹，聊也能聊，《驢》片一出就認定是超前的好的，立馬定性不拖泥帶水，不憋着不說，不吝贊美，能打六星絕不打五星。這是健康的。
以後談論電影的時候務必要區分定義：“電影”不同于“電影藝術”。或許，限制越大，越能發揮效果。
收錄于驢子巴爾塔紮爾的DVD花絮中
布列松[驢]電視專題片。戈達爾：“布列松身兼二職：檢察官和人文主義者”，杜拉斯：“在布列松之前，電影都是寄生蟲，依附于其他藝術”，