看完電影實在是太喜歡了，花了一天翻遍了導演Joachim Trier和女主RR男主ADL做的各種訪談，還有一些專業影評人的評價，讓這種看完電影之後愉悅舒服liberating but also a bit melancholy的感覺又延長了24小時。Trier真的博聞廣記并且口才超好，行走的人形種草機，看完訪談之後收獲了一堆想看的電影和書。

各種訪談中導演提及的一些其他reference電影:

春天不是讀書天(Ferris Bueller’s Day Off by John Hughes): The scene of Twist and Shout, like the whole city is celebrating for them; Worst person中整個世界停止的靈感一部分從這裡來休假日(Holiday by George Cukor): “it’s about the expectations of family and the dysfunctional child trying to find a way to free themselves from the structure of family through love.”諾丁山(Notting Hill by Roger Michell): ”it is dealing with the relationship between the idealization and how we dare to get close to someone that we admire. I think that is a very common human theme. Romantic comedies can take that premise of finding love and talk about quite a lot in regards to it.”廣島之戀(Hiroshima Mon Amour by Alain Resnais)Don’t Look Now : “all these films[廣島之戀&威尼斯疑魂] that are trying to talk about how time and memory can be dealt with, in cinema, in a way unique from all other art forms”伊甸園 (Eden by Mia Hansen-LøveIn): “In terms of coming of age, Eden by Mia Hansen-Løve I think was an inspiration to me in terms of how to condense time.”純真年代(The Age of Innocence by Martin scorsese): ”Another example of a film we chose as inspiration was a romantic melodrama, The Age of Innocence. It has a male protagonist, but it has a female narrator. It’s like having Edith Wharton's voice and getting an authorial female perspective.”綠光: "You get a sense of everydayness and seemingly small stories. A young woman is unable to find a place for her summer holiday, so what’s she going to do? It almost seems trivial, but Rohmer managed to cover big questions of love and existence."畢業生(The Graduate by Mazursky): “tonal inspirations, that’s the most important thing. Over the last few years going through giallo and genre horrors for Thelma, I had to get back to something more warm. I was watching The Graduate, Mazursky.”費城故事(the philadelphia story by George Cukor)騙中騙(The Sting), 虎豹小霸王(Butch Cassidy), 冰球小子(Slap Shot)博格曼的電影

還有導演在訪談中提到的哲學和文學

克爾凱郭爾: “One thing we read was a quote that I’ve known for years, and loved, from Søren Kierkegaard, the Danish philosopher, who said that we can only understand our life backwards, but we’re forced to live it forwards. And I think that’s the confusion we all feel, is that we always learn too late. We go through things that are completely inexplicable and mysterious. And then years later, we realize.”Adam Phillips寫的Missing Out. “There’s a great book by a British writer and psychoanalyst Adam Phillips, which came out a few years ago, called Missing Out, where he says that, in the therapy room, what he experiences with people a lot is that he realizes that people live their whole life with this big, imagined part of themselves. All the what ifs that never happened. That relationship they think they might or should have had or would have in the future, if they only broke away from the relationship they were in. Or that job they’re going to start doing one day. And it actually becomes your self-perception and your feeling of identity. And, suddenly, life has passed. And that whole imagined self was also a part of who you were, but it was unspoken or unlived. And this is life.”

最後是看了這麼多訪談和review之後比較喜歡的幾篇：

NYFF油管上隻有二十分鐘的Q&A, 紐約電影節NYFF采訪導演和男女主角，真的太喜歡這個小團隊之間的chemistry，JT話多且信息量大，RR就像電影裡一樣spirited(精神飽滿)，ADL深沉穩重(可能是醫生buff加成)。三個人配合得剛剛好https://www.rogerebert.com/interviews/joachim-trier-renate-reinsve-worst-person-in-the-world-interview-2022 采訪JR 和 RR，信息量很大https://theplaylist.net/joachim-trier-talks-the-inspiration-for-the-worst-person-in-the-world-interview-20220202/ 導演一個人的采訪，信息量也很大，尤其這個采訪者做了很多工作，問了很多電影裡具體場景的設計和奧斯陸三部曲之間的聯系
“I also wanted to make it as honest as I could: my version of the difficulties of negotiating love — that chaotic space between romantic notions of the future and the reality that occurs.”
“But I’m trying to look at a culture of swiping and media gratification that keeps running in cycles, and all of us are trying to sustain a sense of identity in relationships that are supposed to be solid and continuous, in a very fragmented experience, so I think that’s the kind of “gnawing unease” going on right now.”https://mubi.com/notebook/posts/a-stick-a-stone-the-end-of-the-road-joachim-trier-discusses-the-worst-person-in-the-world?utm_source=letterboxd&utm_medium=social&utm_campaign=letterboxdhq_notebook
MUBI訪談，比較有共鳴的片段：
“To continue that, we’re in a time when everyone has strong opinions. Everything is polarizing in art right now, and I want to go the other way and make something tender and caring, a colorful film that has levity and melancholia that people will watch on the big screen together.”
“You think you live in infinity, but at some point you don’t. Choices will be made for you if you don’t make them yourself. And loss is necessary to find a place of acceptance for yourself.”https://www.rogerebert.com/reviews/the-worst-person-in-the-world-movie-review-2022 很喜歡的Film Review