蝎子园Садыскорпиона(1992)的剧情介绍
Sparkling,masterfuldébutbyKovalovisfound-footagecompilationofe.g.newsitems,propagandamaterialandinstructionfilms.Forhisdirectingdébut,OlegKovalovchoseaveryextravagantexperiment.Asabasishetookapropagandafilmfromthefifties,TheCaseofCorporalKochetkov,dissectedthisasitwereandgavethenakedstructureanewsubstanceandnewaccentsbyre-cuttingtheshotsandaddingdocumentarymaterialfromthefifties,suchasnewsreelfootageofKhrushchev'svisittoAmericaandpicturesofthevisitbyYvesMontandandSimoneSignorettoMoscow.ThefilmaboutcorporalKochetkovcalledontheSovietcitizenstobeontheirguardandshowedhowslytheenemywas:forinstanceitcouldposeasaninnocentgirl.Kovalovcreamsofftheemotionalfrothfromthismelodrama,deconstructsitscodesandsubjectsittoathoughtfulanalysis.Forinstanceherevealsparanoiaandspy-phobia,complexesinthe'collectiveSovietunconscious'thatisstillactiveeveninrelativelyenlightenedperiods.
蝎子园Садыскорпиона(1992)的影评
[笔记]Oleg Kovalov的导演方法论
在许多文化中,"蝎子"都与死亡和背叛联系在一起。但更有趣的是,人们认为蝎子会在分娩后死去。因此,神话中的蝎子不惜一切代价避免生育:蝎子的领域与生育和爱情的领域格格不入。蝎子的象征意义也等同于刽子手。见 Juan ...
用旧素材扩展叙述一部老电影
风格化片子谁不爱啊
同是对既有影像剪辑,或快或慢,《我依然相信》和《开端》更多地是以审视歷史文明为基点。而《蝎子园》更多地是通过巧妙剪辑將诸多影像重组成一部具有全新而又实验世界观的电影。不管怎么样,几部电影都是对「映像共產主义」的实验。反正,也就只有苏联才可实现。
后杂耍电影蒙太奇,
故胶片堆里剪刀手
实验电影