通往湖边的三条路DreiWegezumSee(1976) ThreePathstotheLake
导演：迈克尔·哈内克
编剧：英格博格·巴赫曼/迈克尔·哈内克
主演：UrsulaSchult/GuidoWieland/WalterSchmidinger/伯恩哈德·维基/YvesBeneyton/UdoVioff/DieterWernecke/RainervonArtenfels/JaneTilden/PamelaWhite/MichaelPand/GeoffreyKeller/PierreBrechignac/MathieuChardet/SuzannahDjian/阿塞尔·科蒂
语言：德语
类型：剧情
上映日期：1976-10-07(西德)
奥地利/西德 100分钟
通往湖边的三条路DreiWegezumSee(1976)的剧情介绍
ThisisMichaelHaneke'sfirstfeaturefilm,madeforÖsterreichischerRundfunkandSüdwestfunkandbroadcastin1976.Likemanyofhislaterfilmsfortelevisionandforthescreen,itisanadaptationofaliterarywork;butviewerswillprobablynoticemomentsinitthatstrangelyanticipatelaterfilms--fromTheSeventhContinentand71FragmentsofaChronologyofChance,toCodeInconnuandCaché.ThisisadvdripfromanORFArchiveVHS(hencethehardtimecode).NoEnglishsubtitles;(inconsistent)GermansubtitlesfortheoccasionalFrench-orEnglish-languagepassage.
Thefilm,whichis97minuteslong,isbasedonanovellabytheAustrianauthorIngeborgBachmann,publishedin1972,ayearbeforeherdeathfollowingafireinherRomeapartment.
Inthestory,whichcanbereadaslooselyautobiographical,ElisabethMatrei,asuccessfulphotojournalistinhermid-40s,hasreturnedtoherhometownofKlagenfurttovisitherfatherandtakeabreakfromherhecticlife.HervisitispunctuatedbyseveralattemptstofindherwaytothenearbyWörthersee,buteachtimeshestartsoffwalking,herarrivalatthelakeishindered.Hervisitislikewiseinterwovenwithrecollectionsofherbusy,successful,cosmopolitanlife,hertrajectoryoutoftheruralworldofherchildhood,thechangedpoliticalgeographyofthatworld,andherrelationshipswithvariousmen,whohavebeencatalystsandobstaclesalongherpathtowardself-realization.ForemostamongstthesefellowsisFranzJosephvonTrotta,anintellectualaristocratnostalgicfortheHapsburgEmpire,whosecharacterresonateswiththeheroesofJosephRothsRadetzkymarschandwhobearstracesofBachmann'srelationshipwithPaulCelan.Herrelationshipwithhimhadbeendifficult,traumaticeven,nomoresothanwhenshelearned,yearsaftertheirseparation,ofhissuicide.ElisabethreturnstoParisandevidentlyhasestablishedenoughequilibriumandself-confidencetotodistanceherselffromherlatestparamour,ayoungfilmmaker.Butsuspendedbetweentwomysteriousmessages,itisdifficulttosayhowfarshewillgo.
Thefilm,whichis97minuteslong,isbasedonanovellabytheAustrianauthorIngeborgBachmann,publishedin1972,ayearbeforeherdeathfollowingafireinherRomeapartment.
Inthestory,whichcanbereadaslooselyautobiographical,ElisabethMatrei,asuccessfulphotojournalistinhermid-40s,hasreturnedtoherhometownofKlagenfurttovisitherfatherandtakeabreakfromherhecticlife.HervisitispunctuatedbyseveralattemptstofindherwaytothenearbyWörthersee,buteachtimeshestartsoffwalking,herarrivalatthelakeishindered.Hervisitislikewiseinterwovenwithrecollectionsofherbusy,successful,cosmopolitanlife,hertrajectoryoutoftheruralworldofherchildhood,thechangedpoliticalgeographyofthatworld,andherrelationshipswithvariousmen,whohavebeencatalystsandobstaclesalongherpathtowardself-realization.ForemostamongstthesefellowsisFranzJosephvonTrotta,anintellectualaristocratnostalgicfortheHapsburgEmpire,whosecharacterresonateswiththeheroesofJosephRothsRadetzkymarschandwhobearstracesofBachmann'srelationshipwithPaulCelan.Herrelationshipwithhimhadbeendifficult,traumaticeven,nomoresothanwhenshelearned,yearsaftertheirseparation,ofhissuicide.ElisabethreturnstoParisandevidentlyhasestablishedenoughequilibriumandself-confidencetotodistanceherselffromherlatestparamour,ayoungfilmmaker.Butsuspendedbetweentwomysteriousmessages,itisdifficulttosayhowfarshewillgo.
通往湖边的三条路DreiWegezumSee(1976)的影评
跟随哈内克进入记忆层林 迈克尔·哈内克的《通往湖边的三条路》（1976）不是他风格确立之后的那种“冷面拆弹”型电影，而更像是一部用脚步丈量记忆的作品。改编自Ingeborg Bachmann的小说，这部电影在哈内克的作品序列里显得有些静态、缓慢，但它已经触 ...
70年代的女性主义文本。具身生命体验，成长、家园、职场、交际、情感跟环境因素和时代因素的具体交叠。看得人想去散步。坚固的都应烟消云散，山水还在等待。
3.5；碎片化的回忆串联属于原著特质，被影像化的处理是以类比的手法将相似场景或心理触感串联，形成一种几乎是宿命般的命运既定走向——早就说过，早已发生，经过时光的浸礼居然毫发无伤，你看事情还是会走向命定的结局；因而那个早一步离开的人愤怒而软弱地宣布“一切毫无意义”，会在她看来纷乱的生活中刻下难以泯灭的伤痕（无疑投射着巴赫曼和策兰互相缠绕的作品和生活），她离开或走进一段感情，投入一段新的历程，而她的口袋里还藏着那张被揉皱的“我爱你”，来自一个几乎面目模糊的人，就像攥紧了无法提起的过去或无法知晓的未来，她一定不会知道他们的结局如此相似。
通往湖边的三条路，是通往心灵的三种选择，最终她来到湖边，一片虚幻中的自由。
某种程度上算是巴赫曼的自传：旅人、爱情与近乡情怯。哈内克首作比较稚拙，文学本身要显著强于影像化表现。
可能是近两年在影院睡得最多的一次，看完整了最后二十分钟
通往湖边的三条路，在蒂罗尔重新组织欧洲的历史与个体经验。比较喜欢回忆里和特塔罗的关于在阿尔及利亚拍战地摄影、二战战犯的争吵。“需要让人们觉悟”“但你不觉得忽略事物多重面向的人是你吗？”