迷梦미몽(1936) SweetDream/Death'sLullaby/迷梦
导演：梁柱南
编剧：崔独鹃
主演：ChoTaek-wo
语言：朝鲜语
类型：剧情
上映日期：1936-10-25(朝鲜)
朝鲜 46分钟
迷梦미몽(1936)的剧情介绍
Middle-classhousewifeAe-soon(MoonYae-bong)isexcessivelyvainandneglectfulofherdutiesasahomemaker.Unabletotolerateheranylonger,Ae-soon'shusband(LeeKeum-ryong)kicksherout,andsheleaveshimandtheirdaughterJeong-hee(YooSun-ok)totakeupwithherloverinahotel.Oneday,shefindsoutthatherloverisnotawealthybigshotafterall,butapoorlodgerandacriminaltoboot.Shereportshimtothepoliceforarobberyhehascommitted,anddecidestogotoBusanafterhandinghimovertotheauthorities.Speedinginordertocatchhertrain,sheaccidentallyrunsoverherowndaughter.Jeong-heeisrushedtothehospital,whereshesafelyregainsconsciousness,butAe-sooniswrackedwithguiltandresortstosuicide.
"Theoldestfilminexistence,andavaluablewindowinto1930sfilmgrammar,aswellasintodiscoursesonNewWomenandmodernityduringtheJapanesecolonialera"
SweetDreamwasdiscoveredinChinabytheKoreanFilmArchive(KOFA)in2006.Asof2006,itistheoldestKoreanfilmforwhichthefilmstockstillremains.DirectorYangJu-nam'sfirstfilmandthesixth"talkingpicture"fromKyeongSungStudio,SweetDreamisaninvaluablestandardforexaminingthefilmgrammarandtechnicalprogressof1930scinema.Themovie'simplausibletwo-dimensionalcharacters,abruptplotprogression,andawkwardcameraanglesandeditingindicatethatastablefilmgrammarhadyettobeestablishedatthispoint.Nonetheless,suchdevicesastheaggressivesoundmontage,theinsertshotofthebirdcage,andtheshotinwhichAe-soon,angryatherhusband,unsettlesthevanitymirrorthatshowsthereflectionofherhusband'sfacedemonstratethedirector'sbasicawarenessofcinematicforms.
ThemoviewasreleasedsometimeafterHenrikIbsen'sADoll'sHousedebutedinJapanese-occupiedKorea,whendebatesabout"NewWomen"wereparticularlyrife.Assuch,itreflectspopularattitudesregardingNewWomenatthetime.Ae-soon'sunconvincinginsistenceonbuyingthemostexpensiveitemsatadepartmentstoreandthesuddencastigationsheissubjectedtoforthepurposeofemphasizingmaternalresponsibilityappeartobeforcedmovesthatwereintroducedintotheunfoldingnarrativeinanattempttoreductivelyportraythecontroversialNewWomanaslicentious,vain,andimmoral.OthernotablefeaturesofthefilmaretheinclusionofmodernelementssuchasthesceneryofSeoulatthetimeandachasescenebetweenacarandatrain.ThemoviealsoprovidesanopportunitytoglimpseMoonYae-bong,whowasthemostpopularactressoftheJapanesecolonialperiodandthegreatestactressinNorthKorea,duringherdebutyears.
"Theoldestfilminexistence,andavaluablewindowinto1930sfilmgrammar,aswellasintodiscoursesonNewWomenandmodernityduringtheJapanesecolonialera"
SweetDreamwasdiscoveredinChinabytheKoreanFilmArchive(KOFA)in2006.Asof2006,itistheoldestKoreanfilmforwhichthefilmstockstillremains.DirectorYangJu-nam'sfirstfilmandthesixth"talkingpicture"fromKyeongSungStudio,SweetDreamisaninvaluablestandardforexaminingthefilmgrammarandtechnicalprogressof1930scinema.Themovie'simplausibletwo-dimensionalcharacters,abruptplotprogression,andawkwardcameraanglesandeditingindicatethatastablefilmgrammarhadyettobeestablishedatthispoint.Nonetheless,suchdevicesastheaggressivesoundmontage,theinsertshotofthebirdcage,andtheshotinwhichAe-soon,angryatherhusband,unsettlesthevanitymirrorthatshowsthereflectionofherhusband'sfacedemonstratethedirector'sbasicawarenessofcinematicforms.
ThemoviewasreleasedsometimeafterHenrikIbsen'sADoll'sHousedebutedinJapanese-occupiedKorea,whendebatesabout"NewWomen"wereparticularlyrife.Assuch,itreflectspopularattitudesregardingNewWomenatthetime.Ae-soon'sunconvincinginsistenceonbuyingthemostexpensiveitemsatadepartmentstoreandthesuddencastigationsheissubjectedtoforthepurposeofemphasizingmaternalresponsibilityappeartobeforcedmovesthatwereintroducedintotheunfoldingnarrativeinanattempttoreductivelyportraythecontroversialNewWomanaslicentious,vain,andimmoral.OthernotablefeaturesofthefilmaretheinclusionofmodernelementssuchasthesceneryofSeoulatthetimeandachasescenebetweenacarandatrain.ThemoviealsoprovidesanopportunitytoglimpseMoonYae-bong,whowasthemostpopularactressoftheJapanesecolonialperiodandthegreatestactressinNorthKorea,duringherdebutyears.
迷梦미몽(1936)的影评
《迷梦》短评+一些截图 很多镜头都蛮不错，有很多印象深刻的浅景深。开头女主和丈夫吵架到高潮时戳镜子晃动那一下（镜子里是丈夫），是电影语言上的女性主义表达，很不错的设计。女主离开丈夫女儿后被一个骗子诱惑，最后告发他们的轨迹，不幸在路途中撞上了女儿，女主最后在 ...
韩电分第一课。
演员不叫演员 叫“配役”，很明显是披着朝鲜皮的日本狼
中国资料馆存留日文字幕版。勉强理解了情节，有几幕拍得挺雅致，结尾女主的面部演绎使人联想到《新女性》里的阮玲玉。
ps：谢谢友邻提供的片源
黑的黢黑，白的耀眼。看的不认真，看过留脚印
3.5stars。有些巧思但亦有不少粗糙之处。布景的对比。掀翻镜中的丈夫令人印象深刻。画面右方是日文字幕，到底是日据日期。