女巫Lestreghe(1967) TheWitches
导演：莫洛·鲍罗尼尼
编剧：朱塞佩·帕特罗尼·格里菲/切萨雷·扎瓦蒂尼/阿杰诺雷·因克罗奇/富里奥·斯卡佩利/贝纳迪诺·扎波尼/皮埃尔·保罗·帕索里尼/法比奥·卡尔皮/EnzoMuzii
主演：西尔瓦娜·曼加诺/安妮·吉拉尔多/弗朗西斯科·拉瓦尔/马西莫·吉洛蒂/维罗尼卡·旺代勒/埃尔莎·阿尔巴尼/克拉拉·卡拉马伊/玛丽卢·托洛/诺拉·里奇/迪诺·梅莱/赫尔穆特·贝格/布鲁诺·菲利皮尼/莱斯利·弗伦奇/阿尔贝托·索尔迪/托托/尼内托·达沃利/劳拉·贝蒂/克林特·伊斯特伍德/瓦伦蒂诺·马奇/PietroTorrisi/马里奥·西普利亚尼/彼得罗·托尔迪
语言：意大利语/英语
类型：剧情/喜剧/爱情
上映日期：1967-02-22(意大利)
意大利/法国 111分钟
女巫Lestreghe(1967)的剧情介绍
"TheWitchBurntAlive"
Afteraverylong,butvisuallyarrestinganimatedopeningcreditssequence,LuchinoVisconti(DeathinVenice)directsthefirststory,whichisthelongestofthefive,takingapproximatelyathirdofthefilm'srunninglength.Manganoplaysasuperstaractressandmodelwhotravelstoamountainresort,onlytofindthewell-to-doinhabitantshaveprejudicesandpreconceivednotionsaboutherbasedonherpublicpersona.Thewomenarealljealousandthemenallwanttosleepwithher,butallManganowantsistobeleftalone.It'samostlysombersatiricalpiece,butstory-wise,itlanguishesinitsmodestideaabitlong,becominginconsequentialtoallbutthosefascinatedbytherealitiesofbeingfamous.
"CommunitySpirit"
Bolognini'spieceisn'treallyastory.It'smoreofavisualgag,inashortsegmentthatfeaturesManganoofferingtotakeaninjuredmantoahospital,drivinghimatbreakneckspeedthroughoutthecity,butnotstoppingatlocationswherehemightfindaid.Iwon'tgiveawaythepunchlinehere,butitsucceedsinbeingamusing,evenifit'sthekindofthingthatonlyisinterestingthefirsttimethrough.
"TheEarthSeenfromtheMoon"
Theesteemedwriter/director,PierPaoloPasolini(Salo),craftsthemiddlesegment,whichisthemostartisticandmemorableofthefive.Reminiscentinstyleto"DonQuixote",arecentlywidowedfatherandhissontravelaroundthecountryinsearchofanewwifeandmother,andafteralongperiod,theydiscovertheliterallyspeechlessMangano.Shebringsjoyintotheirlives,buttheyarepoor,andinordertofindabetterlifeforthemselves,theyconcoctaschemetotrytomakesomequickcash.Thestoryiscontrived,andnotcompletelyinteresting,buttheoutlandishperformances,artwork,andcostumesdoesevokegreatcharmandlikeability.Althoughmute,it'sprobablythemostappealingofMangano'sfiveperformances,andTotoisterrific.
"TheSicilian"
FrancoRossidirectsthefourthanshortestpiece,astraight-forwardrevengestorythatcomesandgoesbeforeiteverhasachanceofbecominginteresting.It'sviolent,buteasilytheleastsatisfyingofthefivestories.
"ANightLikeAnyOther"
Eastwood'sappearanceisclearlythebiggestattractionhere,whichwasfilmedinbetweentheSergioLeone"Dollars"trilogy.It'sanenjoyabledeparturefromhisnormalroles,playingacomedicromanticlead,andheisaffablyfuntowatch.FamedItaliandirector,VittoriodeSica(TheBicycleThief,UmbertoD.)doesamasterfuljobwiththestory,whichperfectlyblendsthemundaneandthefantasyinavisuallysatisfyingway.Thestoryisaboutaboredhousewife(Mangano,ofcourse),whotriesinvaintogetherhusbandtorealizethatheisnotasromanticasheusedtobe.Thesceneisinterspersedwithcomedicromancesequencesrevolvingaroundthecouple'spastromanticinterludes,anddreamsofhowtheirlivesshouldbe.
Afteraverylong,butvisuallyarrestinganimatedopeningcreditssequence,LuchinoVisconti(DeathinVenice)directsthefirststory,whichisthelongestofthefive,takingapproximatelyathirdofthefilm'srunninglength.Manganoplaysasuperstaractressandmodelwhotravelstoamountainresort,onlytofindthewell-to-doinhabitantshaveprejudicesandpreconceivednotionsaboutherbasedonherpublicpersona.Thewomenarealljealousandthemenallwanttosleepwithher,butallManganowantsistobeleftalone.It'samostlysombersatiricalpiece,butstory-wise,itlanguishesinitsmodestideaabitlong,becominginconsequentialtoallbutthosefascinatedbytherealitiesofbeingfamous.
"CommunitySpirit"
Bolognini'spieceisn'treallyastory.It'smoreofavisualgag,inashortsegmentthatfeaturesManganoofferingtotakeaninjuredmantoahospital,drivinghimatbreakneckspeedthroughoutthecity,butnotstoppingatlocationswherehemightfindaid.Iwon'tgiveawaythepunchlinehere,butitsucceedsinbeingamusing,evenifit'sthekindofthingthatonlyisinterestingthefirsttimethrough.
"TheEarthSeenfromtheMoon"
Theesteemedwriter/director,PierPaoloPasolini(Salo),craftsthemiddlesegment,whichisthemostartisticandmemorableofthefive.Reminiscentinstyleto"DonQuixote",arecentlywidowedfatherandhissontravelaroundthecountryinsearchofanewwifeandmother,andafteralongperiod,theydiscovertheliterallyspeechlessMangano.Shebringsjoyintotheirlives,buttheyarepoor,andinordertofindabetterlifeforthemselves,theyconcoctaschemetotrytomakesomequickcash.Thestoryiscontrived,andnotcompletelyinteresting,buttheoutlandishperformances,artwork,andcostumesdoesevokegreatcharmandlikeability.Althoughmute,it'sprobablythemostappealingofMangano'sfiveperformances,andTotoisterrific.
"TheSicilian"
FrancoRossidirectsthefourthanshortestpiece,astraight-forwardrevengestorythatcomesandgoesbeforeiteverhasachanceofbecominginteresting.It'sviolent,buteasilytheleastsatisfyingofthefivestories.
"ANightLikeAnyOther"
Eastwood'sappearanceisclearlythebiggestattractionhere,whichwasfilmedinbetweentheSergioLeone"Dollars"trilogy.It'sanenjoyabledeparturefromhisnormalroles,playingacomedicromanticlead,andheisaffablyfuntowatch.FamedItaliandirector,VittoriodeSica(TheBicycleThief,UmbertoD.)doesamasterfuljobwiththestory,whichperfectlyblendsthemundaneandthefantasyinavisuallysatisfyingway.Thestoryisaboutaboredhousewife(Mangano,ofcourse),whotriesinvaintogetherhusbandtorealizethatheisnotasromanticasheusedtobe.Thesceneisinterspersedwithcomedicromancesequencesrevolvingaroundthecouple'spastromanticinterludes,anddreamsofhowtheirlivesshouldbe.
女巫Lestreghe(1967)的影评
女神西尔瓦娜收到的五个影像礼物(观影随记) 本片的开头是喜欢的类型之一，用超现实主义的卡通拼贴风图片引出导演和演员：火烧钞票，女巫坐火箭骑枪到处飞，变身保龄球……第一个片段：维斯康蒂拍了个女明星主宰不了自己生活的故事，男性与女性关于产品的讨论暗示男性对女性的物化，女明星伴着《 ...
4/4/5/4/5原来Pasolini比Wes Anderson还先发明Wes Anderson；Pietro Germi附身Franco Rosi；我对1960s电影的女权主义性持怀疑态度，但这一定是反男权片；此片大概是我最喜欢的omnibus film。
第一段维斯康蒂的火烧女巫，近四十分钟篇幅算大部头，嘲讽了明星虚荣，颇似甲方乙方里徐帆那段；第二段社区精神，黑色反转。只有五六分钟，比当年宝马系列广告还短，倒也匹配鲍罗尼尼的名气地位；第三段帕索里尼从月亮看地球，喜剧国宝托托太老，搞笑力不从心；唯一女主也找不到情绪点，“死了与活了没啥两样”。第四段西西里人，再次证明此片对冯小刚贺岁喜剧的影响：“打死我也不说”，全说了真打死！最有一段德西卡那夜如昨，曼加诺此次装扮酷似英格丽褒曼，而对手戏的东木确实不太适合出演西部以外的意大利电影。三星半
帕索里尼是有多恨女人，以至于称她们为女巫？得知自己怀孕而失魂落魄的女星。号称要救人却只顾自己赶路去约会的女人。聋哑妻子踩到香蕉皮。生死一个样。与女鬼生活。诅咒男人的女人，父兄横死街头。夫妻间越发冷淡，丈夫累了，妻子还想要。男雕像都为她旋转。三星半
似乎就是德劳伦蒂斯有钱任性，给Mangano女神搞的系列短片。从这个意义上说还是Visconti和De Sica比较良心，Pasolini那一段，估计德劳伦蒂斯很想找他退钱。 （但也是我唯一喜欢的一段了
三星半；女主贯穿的系列短片，以讽谑、荒诞的喜剧风格为主；最好玩的是德西卡之家庭主妇脑海剧场，克林特·伊斯特伍德帅极；最喜欢帕索里尼之谬先生&谬小姐，恶搞路线，趣味十足，花花绿绿的童话寓言覆盖之下是“死生都一样”的主题。