拉莉薩Лариса(1980)的劇情介紹
AlovingfilmtributetoRussianfilmmakerLarisaShepitko,whodiedtragicallyinacaraccidentin1979attheageof40.Thisdocumentarybyherhusband,ElemKlimov,includesexcerptsfromallofShepitko'sfilms,andherownvoiceisheardtalkingaboutherlifeandart.
ElemKlimov'sgrief-strickenelegyLarisaexaminesthelifeofhislatewife—thefilmdirectorLarisaShepitko—throughaseriesofdirect-addressinterviewsandphotomontages,setagainstamournfulvisual-musicalbackdrop.Typically,Klimovfilmshissubjects(whichincludehimselfandseveralofShepitko'scollaborators)withinastark,snow-coveredforest,itstangledweboftreesstandinginasmetaphoricalrepresentationofaperhapsinexpressiblesuffering,theresultofShepitko'sprematuredeathwhilefilmingheradaptationofValentinRasputin'snovellaFarewelltoMatyora.InterweavinghomemoviefootagewithsequencesfromShepitko'swork(MayaBulgakova'spensiveplanecrashreminiscencefromWingstakesonseveralnewlayersofresonanceinthiscontext),Larisa'smostpowerfulpassageisitsfirst:accompaniedbythegrandiosefinalmusiccuefromShepitko'sYouandI,KlimovdissolvesbetweenaseriesofpersonalphotographsthatencompassLarisa'sentirelife,frombirthtodeath.Thisbriefsymphonyofsorrowanticipatesthecatharticreverse-motionclimaxofKlimov'sComeandSee,thoughbyplacingthescenefirstwithinLarisa'schronology,Klimovseemstobeworkingagainstcatharsis.Thepainisclearlyfresh,thewoundstillfestering,andKlimovwants—aboveall—tocapturehowdeepmisery'sknifehascut.
ElemKlimov'sgrief-strickenelegyLarisaexaminesthelifeofhislatewife—thefilmdirectorLarisaShepitko—throughaseriesofdirect-addressinterviewsandphotomontages,setagainstamournfulvisual-musicalbackdrop.Typically,Klimovfilmshissubjects(whichincludehimselfandseveralofShepitko'scollaborators)withinastark,snow-coveredforest,itstangledweboftreesstandinginasmetaphoricalrepresentationofaperhapsinexpressiblesuffering,theresultofShepitko'sprematuredeathwhilefilmingheradaptationofValentinRasputin'snovellaFarewelltoMatyora.InterweavinghomemoviefootagewithsequencesfromShepitko'swork(MayaBulgakova'spensiveplanecrashreminiscencefromWingstakesonseveralnewlayersofresonanceinthiscontext),Larisa'smostpowerfulpassageisitsfirst:accompaniedbythegrandiosefinalmusiccuefromShepitko'sYouandI,KlimovdissolvesbetweenaseriesofpersonalphotographsthatencompassLarisa'sentirelife,frombirthtodeath.Thisbriefsymphonyofsorrowanticipatesthecatharticreverse-motionclimaxofKlimov'sComeandSee,thoughbyplacingthescenefirstwithinLarisa'schronology,Klimovseemstobeworkingagainstcatharsis.Thepainisclearlyfresh,thewoundstillfestering,andKlimovwants—aboveall—tocapturehowdeepmisery'sknifehascut.
拉莉薩Лариса(1980)的影評
《拉麗薩》台詞摘錄&随感
“我電影中的一切,每一個鏡頭,都是我作為一名女性拍攝的。我從不一味模仿他人,更不會努力去模仿男性,因為我很清楚,我的女性友人和同道們,無論老少,任何模仿男性電影的嘗試,都是沒有意義的,因為這是衍生品。我能一下子區分出太太電影和男性電 ...
依萊姆·克裡莫夫❤拉麗莎·舍皮琴科
克裡莫夫需要多大勇氣和愛才能製作這部紀錄片。對於我來說,實在震撼不已。
20min版,毛子展預熱- -
丈夫紀念妻子,導演紀念另一名導演,太感動了。
7。拉麗莎 依萊姆