通往湖邊的三條路DreiWegezumSee(1976) ThreePathstotheLake
導演：邁克爾·哈内克
編劇：英格博格·巴赫曼/邁克爾·哈内克
主演：UrsulaSchult/GuidoWieland/WalterSchmidinger/伯恩哈德·維基/YvesBeneyton/UdoVioff/DieterWernecke/RainervonArtenfels/JaneTilden/PamelaWhite/MichaelPand/GeoffreyKeller/PierreBrechignac/MathieuChardet/SuzannahDjian/阿塞爾·科蒂
語言：德語
類型：劇情
上映日期：1976-10-07(西德)
奧地利/西德 100分钟
通往湖邊的三條路DreiWegezumSee(1976)的劇情介紹
ThisisMichaelHaneke'sfirstfeaturefilm,madeforÖsterreichischerRundfunkandSüdwestfunkandbroadcastin1976.Likemanyofhislaterfilmsfortelevisionandforthescreen,itisanadaptationofaliterarywork;butviewerswillprobablynoticemomentsinitthatstrangelyanticipatelaterfilms--fromTheSeventhContinentand71FragmentsofaChronologyofChance,toCodeInconnuandCaché.ThisisadvdripfromanORFArchiveVHS(hencethehardtimecode).NoEnglishsubtitles;(inconsistent)GermansubtitlesfortheoccasionalFrench-orEnglish-languagepassage.
Thefilm,whichis97minuteslong,isbasedonanovellabytheAustrianauthorIngeborgBachmann,publishedin1972,ayearbeforeherdeathfollowingafireinherRomeapartment.
Inthestory,whichcanbereadaslooselyautobiographical,ElisabethMatrei,asuccessfulphotojournalistinhermid-40s,hasreturnedtoherhometownofKlagenfurttovisitherfatherandtakeabreakfromherhecticlife.HervisitispunctuatedbyseveralattemptstofindherwaytothenearbyWörthersee,buteachtimeshestartsoffwalking,herarrivalatthelakeishindered.Hervisitislikewiseinterwovenwithrecollectionsofherbusy,successful,cosmopolitanlife,hertrajectoryoutoftheruralworldofherchildhood,thechangedpoliticalgeographyofthatworld,andherrelationshipswithvariousmen,whohavebeencatalystsandobstaclesalongherpathtowardself-realization.ForemostamongstthesefellowsisFranzJosephvonTrotta,anintellectualaristocratnostalgicfortheHapsburgEmpire,whosecharacterresonateswiththeheroesofJosephRothsRadetzkymarschandwhobearstracesofBachmann'srelationshipwithPaulCelan.Herrelationshipwithhimhadbeendifficult,traumaticeven,nomoresothanwhenshelearned,yearsaftertheirseparation,ofhissuicide.ElisabethreturnstoParisandevidentlyhasestablishedenoughequilibriumandself-confidencetotodistanceherselffromherlatestparamour,ayoungfilmmaker.Butsuspendedbetweentwomysteriousmessages,itisdifficulttosayhowfarshewillgo.
Thefilm,whichis97minuteslong,isbasedonanovellabytheAustrianauthorIngeborgBachmann,publishedin1972,ayearbeforeherdeathfollowingafireinherRomeapartment.
Inthestory,whichcanbereadaslooselyautobiographical,ElisabethMatrei,asuccessfulphotojournalistinhermid-40s,hasreturnedtoherhometownofKlagenfurttovisitherfatherandtakeabreakfromherhecticlife.HervisitispunctuatedbyseveralattemptstofindherwaytothenearbyWörthersee,buteachtimeshestartsoffwalking,herarrivalatthelakeishindered.Hervisitislikewiseinterwovenwithrecollectionsofherbusy,successful,cosmopolitanlife,hertrajectoryoutoftheruralworldofherchildhood,thechangedpoliticalgeographyofthatworld,andherrelationshipswithvariousmen,whohavebeencatalystsandobstaclesalongherpathtowardself-realization.ForemostamongstthesefellowsisFranzJosephvonTrotta,anintellectualaristocratnostalgicfortheHapsburgEmpire,whosecharacterresonateswiththeheroesofJosephRothsRadetzkymarschandwhobearstracesofBachmann'srelationshipwithPaulCelan.Herrelationshipwithhimhadbeendifficult,traumaticeven,nomoresothanwhenshelearned,yearsaftertheirseparation,ofhissuicide.ElisabethreturnstoParisandevidentlyhasestablishedenoughequilibriumandself-confidencetotodistanceherselffromherlatestparamour,ayoungfilmmaker.Butsuspendedbetweentwomysteriousmessages,itisdifficulttosayhowfarshewillgo.
通往湖邊的三條路DreiWegezumSee(1976)的影評
跟随哈内克進入記憶層林 邁克爾·哈内克的《通往湖邊的三條路》（1976）不是他風格确立之後的那種“冷面拆彈”型電影，而更像是一部用腳步丈量記憶的作品。改編自Ingeborg Bachmann的小說，這部電影在哈内克的作品序列裡顯得有些靜态、緩慢，但它已經觸 ...
70年代的女性主義文本。具身生命體驗，成長、家園、職場、交際、情感跟環境因素和時代因素的具體交疊。看得人想去散步。堅固的都應煙消雲散，山水還在等待。
3.5；碎片化的回憶串聯屬于原著特質，被影像化的處理是以類比的手法将相似場景或心理觸感串聯，形成一種幾乎是宿命般的命運既定走向——早就說過，早已發生，經過時光的浸禮居然毫發無傷，你看事情還是會走向命定的結局；因而那個早一步離開的人憤怒而軟弱地宣布“一切毫無意義”，會在她看來紛亂的生活中刻下難以泯滅的傷痕（無疑投射着巴赫曼和策蘭互相纏繞的作品和生活），她離開或走進一段感情，投入一段新的曆程，而她的口袋裡還藏着那張被揉皺的“我愛你”，來自一個幾乎面目模糊的人，就像攥緊了無法提起的過去或無法知曉的未來，她一定不會知道他們的結局如此相似。
通往湖邊的三條路，是通往心靈的三種選擇，最終她來到湖邊，一片虛幻中的自由。
某種程度上算是巴赫曼的自傳：旅人、愛情與近鄉情怯。哈内克首作比較稚拙，文學本身要顯著強于影像化表現。
可能是近兩年在影院睡得最多的一次，看完整了最後二十分鐘
通往湖邊的三條路，在蒂羅爾重新組織歐洲的曆史與個體經驗。比較喜歡回憶裡和特塔羅的關于在阿爾及利亞拍戰地攝影、二戰戰犯的争吵。“需要讓人們覺悟”“但你不覺得忽略事物多重面向的人是你嗎？”