看簡介就能看出和喪屍片《負重前行》不是同一部：
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Starting in one of the big advertising screens of Tokyo, Cargo introduces itself in form of a bag to a young Japanese guy called Komatsu. Meeting point: a trashcan in Shibuya (the biggest train station of Tokyo). There would be nothing unusual about this if there is not the cell phone in the bag which starts to ring all of a sudden and Komatsu gets the order to leave the bag somewhere. There the problems starts because Tokyo people are supposed to be honest and Komatsu is not really able to get rid of the bag. The bag ends up where it was found and the story could go on and on forever. Cargo is symbiosis of a musicvideo trilogy and a shortfilm. Basically the story is a loop about mysterious people, mobile phones and a bag, which becomes heavy cargo for one of the characters.
在東京街頭一塊巨型廣告屏中，名為"Cargo"的神秘存在以背包形态首次登場，與日本青年小松産生了交集。雙方約定的見面地點——涉谷站（東京最大交通樞紐）的垃圾桶旁，這場邂逅本無特别之處，然而包内突然響起的手機指令要求小松轉移包裹，故事由此産生戲劇性轉折。由于東京人骨子裡的誠信特質，小松始終無法成功轉交這個包裹，最終背包又回到最初被發現的位置，劇情将永無止境地循環下去。該作品通過音樂短片三部曲與短片的有機融合，構建出關于神秘聯絡人、加密手機以及象征沉重使命的包裹的環形叙事結構，深刻演繹了"貨物"如何成為角色難以卸下的精神重擔。
