曼努尔的宿命Manoeldansl'îledesmerveilles(1984) 曼努尔的欲望/曼努尔的抉择/ManuelontheIslandofWonders/Manoel'sDestinies/LesDestinsDeManoel
导演：RaoulRuiz
编剧：若昂·伯特洛/LeonorPinhão/劳尔·鲁伊斯
主演：RubendeFreitas/特丽莎·马德鲁加/FernandoHeitor/MarcoPaulodeFreitas/迪奥哥·多瑞亚/VascoPimentel/CecíliaGuimarães/JosédeFreitas/AurélieChazelle/MiguelSilva/PedroM.Ruivo/PedroFernandes/ClaraRolim/LuisGaspardaSilva/TonyJessen/IsabelBranco
语言：法语/葡萄牙语
类型：剧情/儿童/奇幻
上映日期：1984(葡萄牙)
葡萄牙/法国 50分钟
曼努尔的宿命Manoeldansl'îledesmerveilles(1984)的剧情介绍
ThisthreepartFrenchTVserialforchildren(alternateversionsexistasafeature,Manoel'sDestinies,anda4partPortugueseTVserial,AdventureinMadeira)isthefavouriteofmanydevoteesofRaúlRuiz.ThisisbecauseittiestheenchantmentandmysteryofLewisCarroll,CarloCollodiandtheBrothersGrimmtothefilmmaker'sexperimentswithnarrativestrategiesandwhathecallsthepentaludicmodelofstorytelling(wherecharactersarethrowndice-likeintocombinationsandsituationsgovernedbytheplayofChanceandDestiny).
Butthisfilmforchildrenisamonghismostcomplexworks,hardtograspinitstotality.Oftenitcanseemanarbitrarycollectionoffree-associationalimagesandwords,borderingonnonsense.Butattentiveviewerswillhavethestrongsensethatthereismethodbehindthisnear-madness.Otherwise,itcouldneverproducetheintenseemotionsitsoclearlyoffers.Ruiz'sobsessionsfromfilmtofilmbindthefragmentstogether–withinasingleworkandacrossprojects–andtheemotioncomesfromthetotallyunexpectedforkingtakenwithinawell-wornterritorialmap.
PartOnepresentsuswiththreepossibleworlds.Ineachworld,sevenyear-oldManoelhasadifferentresponsetoanentreatyfromtheoutsideworld.Fittingly,inthisfilminwhichnothingcoincides,thethreepartsofthestorydonotcoincidewiththethree-episodestructure(thetrinity-formrecursfrequentlyinRuiz).Inthiscase,past,presentandfuture–theunholytrinityorTimeensoi–isthefilm'sveryprotagonist,variouslycalled'longago'(PartOne),'now'(PartTwo),and'future'(PartThree).Attheoutset,thisgivesthestoryanapparentorderbeforedigressionstakeitover.
PartTwo(thestatusofwhichisatfirstconfusingsinceitbeginsafterthethreemini-narrativesofthefirstPartandbeforetheendofEpisodeOne)isentitled'ThePicnicofDreams'.Whilstvaguely'keepingtothestoryline',itveersoffinmanydifferentdirections,wherethethematiccouplingordinary/specialreplacesthefamiliar/unknowndualismofPartOne.(EachPartisguidedbyathematic'dominant',apairofnotionsthattendtoexchangetheirmeaningsasitprogresses.)
PartThree(beginninginEpisodeTwo),entitled'TheLittleChess-Champion',handsthe(untilnow)off-screenvoice-overnarrationtoManoelhimself.Hepromisestotellhisownstory,butaddsthatit's'astorythatImadeupinmydistantchildhoodandthathappensinthefuture'.ThetoneislessBaroque,moreGothic,asRuizexploresthe'wondersofthenight'.Thefilmmaker'sobsessioninthissectionconcernsperceptionandthedecipheringofsecretsignsandcodes.
Butthisfilmforchildrenisamonghismostcomplexworks,hardtograspinitstotality.Oftenitcanseemanarbitrarycollectionoffree-associationalimagesandwords,borderingonnonsense.Butattentiveviewerswillhavethestrongsensethatthereismethodbehindthisnear-madness.Otherwise,itcouldneverproducetheintenseemotionsitsoclearlyoffers.Ruiz'sobsessionsfromfilmtofilmbindthefragmentstogether–withinasingleworkandacrossprojects–andtheemotioncomesfromthetotallyunexpectedforkingtakenwithinawell-wornterritorialmap.
PartOnepresentsuswiththreepossibleworlds.Ineachworld,sevenyear-oldManoelhasadifferentresponsetoanentreatyfromtheoutsideworld.Fittingly,inthisfilminwhichnothingcoincides,thethreepartsofthestorydonotcoincidewiththethree-episodestructure(thetrinity-formrecursfrequentlyinRuiz).Inthiscase,past,presentandfuture–theunholytrinityorTimeensoi–isthefilm'sveryprotagonist,variouslycalled'longago'(PartOne),'now'(PartTwo),and'future'(PartThree).Attheoutset,thisgivesthestoryanapparentorderbeforedigressionstakeitover.
PartTwo(thestatusofwhichisatfirstconfusingsinceitbeginsafterthethreemini-narrativesofthefirstPartandbeforetheendofEpisodeOne)isentitled'ThePicnicofDreams'.Whilstvaguely'keepingtothestoryline',itveersoffinmanydifferentdirections,wherethethematiccouplingordinary/specialreplacesthefamiliar/unknowndualismofPartOne.(EachPartisguidedbyathematic'dominant',apairofnotionsthattendtoexchangetheirmeaningsasitprogresses.)
PartThree(beginninginEpisodeTwo),entitled'TheLittleChess-Champion',handsthe(untilnow)off-screenvoice-overnarrationtoManoelhimself.Hepromisestotellhisownstory,butaddsthatit's'astorythatImadeupinmydistantchildhoodandthathappensinthefuture'.ThetoneislessBaroque,moreGothic,asRuizexploresthe'wondersofthenight'.Thefilmmaker'sobsessioninthissectionconcernsperceptionandthedecipheringofsecretsignsandcodes.
曼努尔的宿命Manoeldansl'îledesmerveilles(1984)的影评
Manoel on the Island of Marvels (3 part TV series, France, 1985)
Fergus DalyThis three part French TV serial for children (alternate versions exist as a feature, Manoel’s Destinies, ...
儿童视角的奇幻题材再恰切不过，因为“孩子们相信自己看到的都是真实”，无论是意欲摆脱现实的幻想，还是以“过去时”讲述的“未来”，更或者只是一场场童年梦境的拼接，七岁的曼努尔再创了一个独属他的世界——那里有斑斓如梦的大海和海盗，有偷宝藏的鱼，有少年和成年后的自己镜像，遥远的海之尽头更有阴郁大宅的传说；第一集最易懂，曼努尔在一次次假定重设的人生中努力避开死亡，而终局无法避免，后面两集越来越迷幻放飞。
RaoulRuiz 的儿童电影，如果画质更佳的话有些地方看起来会更精彩。配乐非常强大，对经典童话的自我发挥非常独到，音乐尤为出彩，灵动诡谲妖异绮丽皆有。Ruiz及儿童剧的爱好者可以看看。
重看。充满魔力的叙事机杼，徜徉在这样的世界中，无所谓怎样发展。
一直在寻找这样的梦境
后面两集越来越晦涩难懂(好的那种)