迷夢미몽(1936) SweetDream/Death'sLullaby/迷夢
導演：梁柱南
編劇：崔獨鵑
主演：ChoTaek-wo
語言：朝鮮語
類型：劇情
上映日期：1936-10-25(朝鮮)
朝鮮 46分钟
迷夢미몽(1936)的劇情介紹
Middle-classhousewifeAe-soon(MoonYae-bong)isexcessivelyvainandneglectfulofherdutiesasahomemaker.Unabletotolerateheranylonger,Ae-soon'shusband(LeeKeum-ryong)kicksherout,andsheleaveshimandtheirdaughterJeong-hee(YooSun-ok)totakeupwithherloverinahotel.Oneday,shefindsoutthatherloverisnotawealthybigshotafterall,butapoorlodgerandacriminaltoboot.Shereportshimtothepoliceforarobberyhehascommitted,anddecidestogotoBusanafterhandinghimovertotheauthorities.Speedinginordertocatchhertrain,sheaccidentallyrunsoverherowndaughter.Jeong-heeisrushedtothehospital,whereshesafelyregainsconsciousness,butAe-sooniswrackedwithguiltandresortstosuicide.
"Theoldestfilminexistence,andavaluablewindowinto1930sfilmgrammar,aswellasintodiscoursesonNewWomenandmodernityduringtheJapanesecolonialera"
SweetDreamwasdiscoveredinChinabytheKoreanFilmArchive(KOFA)in2006.Asof2006,itistheoldestKoreanfilmforwhichthefilmstockstillremains.DirectorYangJu-nam'sfirstfilmandthesixth"talkingpicture"fromKyeongSungStudio,SweetDreamisaninvaluablestandardforexaminingthefilmgrammarandtechnicalprogressof1930scinema.Themovie'simplausibletwo-dimensionalcharacters,abruptplotprogression,andawkwardcameraanglesandeditingindicatethatastablefilmgrammarhadyettobeestablishedatthispoint.Nonetheless,suchdevicesastheaggressivesoundmontage,theinsertshotofthebirdcage,andtheshotinwhichAe-soon,angryatherhusband,unsettlesthevanitymirrorthatshowsthereflectionofherhusband'sfacedemonstratethedirector'sbasicawarenessofcinematicforms.
ThemoviewasreleasedsometimeafterHenrikIbsen'sADoll'sHousedebutedinJapanese-occupiedKorea,whendebatesabout"NewWomen"wereparticularlyrife.Assuch,itreflectspopularattitudesregardingNewWomenatthetime.Ae-soon'sunconvincinginsistenceonbuyingthemostexpensiveitemsatadepartmentstoreandthesuddencastigationsheissubjectedtoforthepurposeofemphasizingmaternalresponsibilityappeartobeforcedmovesthatwereintroducedintotheunfoldingnarrativeinanattempttoreductivelyportraythecontroversialNewWomanaslicentious,vain,andimmoral.OthernotablefeaturesofthefilmaretheinclusionofmodernelementssuchasthesceneryofSeoulatthetimeandachasescenebetweenacarandatrain.ThemoviealsoprovidesanopportunitytoglimpseMoonYae-bong,whowasthemostpopularactressoftheJapanesecolonialperiodandthegreatestactressinNorthKorea,duringherdebutyears.
"Theoldestfilminexistence,andavaluablewindowinto1930sfilmgrammar,aswellasintodiscoursesonNewWomenandmodernityduringtheJapanesecolonialera"
SweetDreamwasdiscoveredinChinabytheKoreanFilmArchive(KOFA)in2006.Asof2006,itistheoldestKoreanfilmforwhichthefilmstockstillremains.DirectorYangJu-nam'sfirstfilmandthesixth"talkingpicture"fromKyeongSungStudio,SweetDreamisaninvaluablestandardforexaminingthefilmgrammarandtechnicalprogressof1930scinema.Themovie'simplausibletwo-dimensionalcharacters,abruptplotprogression,andawkwardcameraanglesandeditingindicatethatastablefilmgrammarhadyettobeestablishedatthispoint.Nonetheless,suchdevicesastheaggressivesoundmontage,theinsertshotofthebirdcage,andtheshotinwhichAe-soon,angryatherhusband,unsettlesthevanitymirrorthatshowsthereflectionofherhusband'sfacedemonstratethedirector'sbasicawarenessofcinematicforms.
ThemoviewasreleasedsometimeafterHenrikIbsen'sADoll'sHousedebutedinJapanese-occupiedKorea,whendebatesabout"NewWomen"wereparticularlyrife.Assuch,itreflectspopularattitudesregardingNewWomenatthetime.Ae-soon'sunconvincinginsistenceonbuyingthemostexpensiveitemsatadepartmentstoreandthesuddencastigationsheissubjectedtoforthepurposeofemphasizingmaternalresponsibilityappeartobeforcedmovesthatwereintroducedintotheunfoldingnarrativeinanattempttoreductivelyportraythecontroversialNewWomanaslicentious,vain,andimmoral.OthernotablefeaturesofthefilmaretheinclusionofmodernelementssuchasthesceneryofSeoulatthetimeandachasescenebetweenacarandatrain.ThemoviealsoprovidesanopportunitytoglimpseMoonYae-bong,whowasthemostpopularactressoftheJapanesecolonialperiodandthegreatestactressinNorthKorea,duringherdebutyears.
迷夢미몽(1936)的影評
《迷夢》短評+一些截圖 很多鏡頭都蠻不錯，有很多印象深刻的淺景深。開頭女主和丈夫吵架到高潮時戳鏡子晃動那一下（鏡子裡是丈夫），是電影語言上的女性主義表達，很不錯的設計。女主離開丈夫女兒後被一個騙子誘惑，最後告發他們的軌迹，不幸在路途中撞上了女兒，女主最後在 ...
韓電分第一課。
演員不叫演員 叫“配役”，很明顯是披着朝鮮皮的日本狼
中國資料館存留日文字幕版。勉強理解了情節，有幾幕拍得挺雅緻，結尾女主的面部演繹使人聯想到《新女性》裡的阮玲玉。
ps：謝謝友鄰提供的片源
黑的黢黑，白的耀眼。看的不認真，看過留腳印
3.5stars。有些巧思但亦有不少粗糙之處。布景的對比。掀翻鏡中的丈夫令人印象深刻。畫面右方是日文字幕，到底是日據日期。